One of the reasons Dirty Like an Angel is so challenging—and so rewarding—is its deliberately anti-naturalistic style. Breillat, who came of age during the French New Wave but quickly rejected its sentimental humanism, stages much of the film as a kind of chamber theatre. The settings are sparse: a sterile police station office, a drab interrogation room, a featureless apartment.

Barbara begins as an seemingly timid character but transforms into a "steel" figure who recognizes her own authority over the men trying to use her. Letterboxd

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Dirty Like An Angel -catherine Breillat- 1991- [patched] «1080p»

One of the reasons Dirty Like an Angel is so challenging—and so rewarding—is its deliberately anti-naturalistic style. Breillat, who came of age during the French New Wave but quickly rejected its sentimental humanism, stages much of the film as a kind of chamber theatre. The settings are sparse: a sterile police station office, a drab interrogation room, a featureless apartment.

Barbara begins as an seemingly timid character but transforms into a "steel" figure who recognizes her own authority over the men trying to use her. Letterboxd