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Moreover, the sheer volume of content has led to a strange paradox: more representation, but less distinctiveness. Many critics argue that mainstream gay content has become sanitized—what scholar Eve Ng calls “homonomative respectability.” This is the preference for palatable, white, upper-middle-class, monogamous gay couples (think Happiest Season or Love, Simon ) over the messy, radical, sexually fluid, or gender-nonconforming realities of queer life. The journey of gay visibility in media is

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