For decades, the media told us celebrities were perfect. Now, we enjoy seeing the machinery that manufactured that perfection. We feel a sense of justice when a documentary reveals that the "party boy" was actually a victim of abuse, or that the "diva" was actually just a woman standing up to a sexist system.
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The earliest industry documentaries were, in essence, extended press kits. Films like The Making of ‘The Terminator’ (1984) or Disney’s The Reluctant Dragon (1941) offered sanitized, celebratory looks at production, designed to generate goodwill and showcase technological prowess. These works adhered to what documentary theorist Bill Nichols calls the “expository mode,” featuring an omniscient, authoritative voice-over and a clear, problem-solution narrative about the challenges of filmmaking. For decades, the media told us celebrities were perfect