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Malayalam films serve as both a mirror and a critic of Kerala’s society.
Classical art forms like Kathakali , Theyyam , and Mohiniyattam frequently appear as metaphors. For instance, Vanaprastham (1999) used Kathakali to explore a dancer’s identity crisis, while Ee.Ma.Yau (2018) drew from Kerala’s funeral rituals to tell a darkly comic tale of death.
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