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Furthermore, the performative arts of Kerala— Kathakali (classical dance-drama), Theyyam (ritualistic worship performance), Koodiyattam (ancient Sanskrit theatre), and Mohiniyattam —have left an indelible mark on cinematic expression. G. Aravindan’s masterpieces, Thampu (1978) and Kummatty (1979), are structured like a series of folk performances or paintings, directly incorporating Theyyam and other ritual arts. This aesthetic influence goes beyond mere spectacle; it shapes the cinematic grammar, narrative pacing, and symbolic vocabulary, offering a visual language that is uniquely Keralan.
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