Today, that sari hangs in a museum in Delhi. But Meera wears a different one every day. She says the pallu—the loose end that drapes over the shoulder—isn’t just fabric. It’s a bridge. Between grandmothers and granddaughters. Between dust and data. Between a craft that almost died and a girl who almost let it.
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Critical and audience reception for the film is highly polarized, often centering on its explicit nature: Today, that sari hangs in a museum in Delhi