The built‑in LUT loader allows you to import custom 3DLUTs (up to 33 × 33 × 33) for on‑camera monitoring—a feature that saves time on set when you need a specific look for client approvals.
| Connection | Use Case | |------------|----------| | | Direct feed to broadcast switchers, ProRes/ARRI RAW recorders. | | HDMI 2.1 | Live streaming to capture cards (e.g., Elgato 4K60 Pro) or to a monitor for on‑set grading. | | 10‑GbE (NDI HX2) | Network‑based production; a single Ethernet cable can deliver 4 K 60 p video, audio, and timecode to any NDI‑compatible device. | | XLR (2) | Professional audio input for boom mics, wireless receivers, or shotgun mics. | | Timecode & Genlock | Essential for multi‑camera sync in live events or studio productions. | | USB‑C (10 Gbps) | Firmware updates, direct file transfer, and optional remote control via the SSIS Control Center. | SSIS-313 4K
International shipping policies for major Japanese media retailers. The built‑in LUT loader allows you to import
Available in standard HD and 4K (Ultra HD) versions ✨ Notable Features | | 10‑GbE (NDI HX2) | Network‑based production;
The transition from Standard Definition (SD) to High Definition (HD), and finally to 4K, has been driven by the need for greater pixel density. A 4K image contains roughly 8.3 million pixels—four times that of 1080p—providing a level of clarity that allows for larger screens without visible pixelation. The designation specifically targets the optimization of this resolution through high-bitrate processing.