Salvatore switched off the TV. The bar was silent, save for the drip of the espresso machine.
Salvatore grabbed the remote. He muted the football and turned up the volume on the trending live feed. There, on screen, was a grainy, first-person view of a man climbing the Galleria Umberto I. Not walking through it. Climbing the outside of the iron-and-glass dome. Salvatore switched off the TV
The central figure anchoring this narrative is the husband: a "noto tassista di Napoli" (notorious/well-known Naples taxi driver). was a grainy
“Zio,” Enzo gasped, shoving the screen into Salvatore’s face. “The Ghoul is back.” ” Enzo gasped