Today, Yuna Fujisaki continues her work in Kichijoji. If you walk past her window, you might see her bent over a workbench, a magnifying loupe over one eye, carefully painting a golden vein across a fractured plate. She serves as a quiet reminder that nothing is ever truly broken beyond redemption; sometimes, the damage is exactly what is needed to make it whole again.

Are you a fan of Yuna Fujisaki? Do you prefer her route over the main ending? Share your thoughts in the comments below.