: It utilized a 24-bit effects engine based on the legendary DP/4 parallel effects processor.

You might see "ensoniq ts10 soundfont sf2 4" or "32" versions. Why target specifically "16"?

Sarah had loved that machine. She was a composer for noir films, obsessed with texture. She didn't want piano sounds; she wanted the sound of a piano falling down a flight of stairs in slow motion. The TS-10 gave her that.

For more technical details and sound demonstrations, enthusiasts often point to Don Solaris's deep dive mu:zines archive for original 1993 reviews. donsolaris.com specific SoundFont player